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overview projects information journal carolee’s + issue two of the magazine of the artist’s institute, new york go to project < 1 / 65 > carolee schneemann 314 × 241 mm, 200 pp published by the artist’s institute and koenig books carolee’s is the second issue of the magazine of the artist’s institute. dedicated to carolee schneemann, it features a previously unpublished image archive from schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. a new long-form profile of schneemann by writer maggie nelson accompanies this project and considers the artist’s relationship to the history of her reception and schneemann’s significant influence on subsequent generations of feminists. related projects the artist’s institute, pierre’s magazine the artist’s institute external links the artist's institute carolee’s + go to project < 1 / 65 > carolee schneemann 314 × 241 mm, 200 pp published by the artist’s institute and koenig books carolee’s is the second issue of the magazine of the artist’s institute. dedicated to carolee schneemann, it features a previously unpublished image archive from schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. a new long-form profile of schneemann by writer maggie nelson accompanies this project and considers the artist’s relationship to the history of her reception and schneemann’s significant influence on subsequent generations of feminists. related projects the artist’s institute, pierre’s magazine the artist’s institute external links the artist's institute carolee’s + go to project < 1 / 65 > carolee schneemann 314 × 241 mm, 200 pp published by the artist’s institute and koenig books carolee’s is the second issue of the magazine of the artist’s institute. dedicated to carolee schneemann, it features a previously unpublished image archive from schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. a new long-form profile of schneemann by writer maggie nelson accompanies this project and considers the artist’s relationship to the history of her reception and schneemann’s significant influence on subsequent generations of feminists. related projects the artist’s institute, pierre’s magazine the artist’s institute external links the artist's institute an exercise in style + feature in printed pages and it’s nice that < 1 / 65 > text by billie muraben photography by jack davison printed pages issue 12, autumn/winter 2016 ‘as we ascend the stairs from his subterranean studio, our conversation turns to the subject of design writers. “are there any? and if there are, why?” a point of contention is, if they do exist, “can [they] write about a subject other than design in an interesting way, and is there not someone else who could do it better?” this emphasis on quality is an important one, and something that defines the often indefinable work of .’ (billie muraben) external links it’s nice that die neue klasse + professur für entwurf, typografie, buchkunst < 1 / 65 > raum 106 kunstakademie düsseldorf john is appointed professor at the prestigious kunstakademie düsseldorf. external links kunstakademie düsseldorf ringier annual report + calligraphy of the marinade go to project < 1 / 65 > helen marten ringier 385 × 285 mm, 42 pp 2016 ‘the ringier annual report is a serious matter. it is all about sausages! in an approach marked by respectful humor rather than cynicism, the british artist helen marten compares the processes used in making sausages with those of journalism. while the 2015 ringier annual report provides its readers with figures packed like sausage meat, it is also quite safe for vegetarians. on opening the box containing the 2015 ringier annual report, the reader is presented with two sausage casings. the materials the artist has chosen for the annual report book are thus clearly reminiscent of sausage making. there is the muslin, used to shape the sausage meat, and the greaseproof paper, used by the butcher to pack wrap the finished sausages themselves. the artist has also combined photographs taken during her visits to butchers in switzerland with texts of her own. the narrow pages and thin paper on which the annual report itself is printed are not dissimilar to receipts from a cash register. here, too, the sausage takes center stage – as a metaphor for how publishing content is created and distributed.’ (ringier) related projects helen marten, drunk brown house helen marten, parrot problems external links ringier press ringier annual report + calligraphy of the marinade go to project < 1 / 65 > helen marten ringier 385 × 285 mm, 42 pp 2016 ‘the ringier annual report is a serious matter. it is all about sausages! in an approach marked by respectful humor rather than cynicism, the british artist helen marten compares the processes used in making sausages with those of journalism. while the 2015 ringier annual report provides its readers with figures packed like sausage meat, it is also quite safe for vegetarians. on opening the box containing the 2015 ringier annual report, the reader is presented with two sausage casings. the materials the artist has chosen for the annual report book are thus clearly reminiscent of sausage making. there is the muslin, used to shape the sausage meat, and the greaseproof paper, used by the butcher to pack wrap the finished sausages themselves. the artist has also combined photographs taken during her visits to butchers in switzerland with texts of her own. the narrow pages and thin paper on which the annual report itself is printed are not dissimilar to receipts from a cash register. here, too, the sausage takes center stage – as a metaphor for how publishing content is created and distributed.’ (ringier) related projects helen marten, drunk brown house helen marten, parrot problems external links ringier press helen marten + drunk brown house go to project < 1 / 65 > helen marten koenig books and serpentine galleries 298 × 212 mm, 224pp 2016 ‘i’m really interested in the point at which things become husked down to geometric memories of themselves, where a house, for instance, a pair of legs or a cat could be communicated with huge economy and speed via just a few lines. the vector can become a mechanism of delivery. as incorporated extensions, even a simple nod towards a shape that might be reminiscent of a readymade form is quite literally a vocaliser of external things – an agent of the world outside art-making. and this is the point where you can use recognisable authority, the obstinate fact of a universally existent thing – an arm, a teapot, an alphabet – and extricate it from its own sense of intentionality.’ (helen marten) published to coincide with the exhibition drunk brown house at the serpentine sackler gallery, 29 september – 20 november 2016. related projects helen marten, parrot problems helen marten, ringier annual report external links serpentine galleries artreview magazine + march 2016 issue go to project < 1 / 65 > graphic identity, art direction september 2013–ongoing artreview, founded in london in 1949, evolved from an eight-page, black-and-white broadsheet to a magazine distributed in 28 countries and published nine times a year. since the first issue in the 1940s, the cover has traditionally featured a self-portrait. following our total redesign of the magazine and its sister publication artreview asia in september 2013, we continue to art direct and develop the design of each issue and special editions, including the power 100 and future greats. related projects artreview ads external links artreview artreview magazine + december 2016 issue go to project < 1

URL analysis for morganstudio.co.uk

http://www.morganstudio.co.uk/project/raven_row_eduardo_paolozzi__the_jet_age_compendium
http://www.morganstudio.co.uk/project/the_overcoat
http://www.morganstudio.co.uk/project/raven_row_hilary_lloyd
http://www.morganstudio.co.uk/project/venice_architecture_biennale_2012
http://www.morganstudio.co.uk/project/memo_for_nemo
http://www.morganstudio.co.uk/project/helen_marten_parrot_problems
http://www.morganstudio.co.uk/project/turner_contemporary
http://www.morganstudio.co.uk/project/neues_museum_berlin___david_chipperfield_architects
http://www.morganstudio.co.uk/project/raven_row_suzanne_triester
http://www.morganstudio.co.uk/project/blank_dummy
http://www.morganstudio.co.uk/project/edmund_de_waal_the_white_road
http://www.morganstudio.co.uk/information/bibliography/text_by_jm/an_account_of_the_making_of_common_worship__services_and_prayers_for_the_church_of_england
http://www.morganstudio.co.uk/project/nau_sea_sea_sick
http://www.morganstudio.co.uk/information/bibliography/text_by_jm/common_ground_a_letter_from_venice
http://www.morganstudio.co.uk/project/never_modern/selected
aaschool.ac.uk
davidchipperfield.co.uk
fourcornersbooks.co.uk
royalacademy.org.uk
6a.co.uk

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